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Posts Tagged ‘tips’

“You should project yourself as a rising star,” my mom said.

I don’t know why I’ve become small, meek, laughing at everything that doesn’t need to be laughed at, conciliatory, afraid. I’ve been thrown into this wild sea, and I’m questioning whether I’m the right fish to swim in it.

But I am. I’ve been writing ever since I was eleven. I know my shit. I’ve been playing with words even before I read a book that advised me to play with words. Innovative writing was instinctual. I don’t know why, but I’ve always been like that.

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Ever since I got into blogging, I’ve kindled a passion for social media. I’ve been downloading ebooks and reading articles on the net in order to learn more about it.

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Most people say they don’t have enough time to do creative stuff, but the clock is not ticking against them, it’s more of their heart.

My friend is in med school, but she still has time to paint. Another friend wakes up at 2am just to write her poetry. Whenever I make excuses, I remember them.

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1. No monkeys allowed

Natalie Goldberg, author of Writing Down the Bones and Wild Mind, said that writers often let their “monkey mind” obstruct their creative processes. The “monkey mind” often tells them, That’s not good enough, why write that? That’s a bad idea. The “monkey mind” disguises itself as an editor, but in reality it is censorship–it’s stopping you from saying what you truly think and feel.  So when you’re writing your first draft, don’t erase anything, don’t edit. Just keep on writing and writing and writing.

2. Just write

The hardest part of writing is starting. Whenever you feel like you’re stuck, tell yourself, Don’t agonize. Just write. 

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Screencap of Esquire Magazine

“Frank Sinatra Has a Cold” by Gay Talese launched the era of New Journalism, and it is considered as one of the greatest magazine articles ever written. Here are some of the writing tips I learned from reading this article:

1. Use roadblocks as creative fodder

Gay Talese was tasked to write a profile about Frank Sinatra, but when Talese arrived at Sinatra’s place, the singer refused to be interviewed saying he had a cold. Instead of being discouraged, Talese turned this roadblock into a pivotal part of his piece.

2. Describe the hell out of the experience

Talese was very meticulous in describing details, so when you read his piece, you’ll literally be transported to where the writer was. When Talese describes, it is not like a barrage of information like a history-class shot gun. Talese descriptions always have a purpose. They are made to portray a scene, flesh out a character, and set a certain mood.

Talese also surprises readers with unique and slightly incongruent descriptions like “the television set lights like an operating room.” Talese also zeroes in on the quirky like when he said that Sinatra knew how to sit on the bus in such a way that when the singer stood up, there will be no creases.

3. Actions spark up articles

Describing actions can reveal character so Talese made adequate use of this technique.

4. Transitions build and pulsate

Build the scene and build the moment, but then remember to shake up the timeline. In the essay, Talese starts with the bar scene, describes it, then he takes you to another location, or another time, then he goes back to the bar, then he goes to another story that a friend recalled.

5. Back up statements with evidence

When Talese says “Frank Sinatra does things personally,” he backs it up with examples.

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